By Samuel J. Umland
Tim Burton is among the so much creative filmmakers on the earth. From his early paintings as an animator for Disney studios to his special takes on iconic characters like Batman and Alice in Wonderland, Burton’s skewed imaginative and prescient of the area has educated all of his movies. Imbuing his movies with a comically darkish tone, Burton presents a twisted slant on traditional storytelling.
In The Tim Burton Encyclopedia, Samuel J. Umland seems to be in any respect points of this idiosyncratic storyteller’s movies, which often exhibit childlike ask yourself and a macabre humor. Entries during this quantity specialise in Burton’s inventive inspirations in addition to inventive team of workers at the back of the digicam, together with writers, cinematographers, dress designers, paintings administrators, and different collaborators, significantly his widespread composer Danny Elfman. habitual actors also are represented, equivalent to Michael Keaton, Helena Bonham-Carter, Jack Nicholson, and, in fact, Johnny Depp. movie entries comprise all of his positive aspects equivalent to Pee-Wee’s tremendous event, Beetlejuice, Edward Scissorhands, Ed wooden, monstrous Fish, and darkish Shadows. each one access is by way of a bibliography of released assets, either in print and online.
Featuring entries fascinated about each degree of Burton’s career—including early lively shorts like Frankenweenie and his paintings as a producer—this quantity presents essential information regarding essentially the most designated filmmakers of the earlier 3 a long time. finished and pleasing, The Tim Burton Encyclopedia will attract students, researchers, and lovers of this singular director’s paintings.
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Extra resources for The Tim Burton Encyclopedia
The film (and its sequel, BATMAN RETURNS) served as an inspiration for Warner Bros. Animation’s Batman: The Animated Series (1992–1995) and was a key work in establishing the many successful comic book movies that followed. Nonetheless, Tim Burton seemed keenly aware of the film’s flaws, saying famously, “I liked parts of it, but the movie is mainly boring to me. , Burton on Burton. : Tebbo, 2012), 40; Paul A. , Tim Burton: A Child’s Garden of Nightmares, rev. and updated ed. (London: Plexus, 2007); various authors, Batman, revised fifth draft, October 10, 1988; various authors, Batman, revised fifth draft, October 12, 1988.
Donald J. Gray (New York: Norton, 1992), 1–99; Lewis Carroll, Alice’s Adventures Underground, British Library Online Gallery, Add. MS. 46700, www. html; Lewis Carroll, “Through the Looking Glass, and What Alice Found There,” in Alice in Wonderland, 101–209; Lewis Carroll, “From Alice on the Stage,” in Gray, Alice in Wonderland, 280; William Empson, “The Child as Swain,” in Gray, Alice in Wonderland, 349; Rohan McWilliam, “Jonathan Miller’s Alice in Wonderland (1966): A Suitable Case for Treatment,” Historical Journal of Film, Radio, and Television 31, no.
The long-standing collaboration between Burton and Atwood began with Edward Scissorhands, and the story is reminiscent of how Burton has tapped many talented artists from unlikely places—such as composer Danny Elfman, who was initially worried he would “fuck up” Pee-Wee’s Big Adventure. ” In the many years since their first collaboration, Atwood has won several major awards for costume design including a 2002 Academy Award for Chicago, a 2006 20 n AUGUST, JOHN Academy Award for Memoirs of a Geisha, and a 2011 Academy Award for Alice in Wonderland.