Digit (February 2005)

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Com TEAM LinG - Live, Informative, Non-cost and Genuine! TEAM LinG - Live, Informative, Non-cost and Genuine! cover design U BY ED EWING 40 d TEAM LinG - Live, Informative, Non-cost and Genuine! UNDER THE COVERS GREAT COVERS BURN THEMSELVES INTO YOUR BRAIN AND SELL MAGAZINES BY THE TRUCKLOAD. HERE, SOME OF THE INDUSTRY’S BEST PEOPLE REVEAL WHAT MAKES A MAGAZINE FLY. 1million copies a month. “Stop obsessing about covers right now. Covers are scary. ” She added: “We are being market researched to death – define yourself by your difference”.

Forzy adds, “One of the main technical challenges at the shoot stage was to light the live so it would sit right in all the created backgrounds. ” These frames show the various elements of production for the scene in which Tomoko arrives in her bedroom. Clockwise from top left: the textured walls; the original actor on set with blue-screened areas; the composited scene sans bluescreen; and the final pass that pulls all the elements together. Using After Effects had its advantages. “The main feature that differentiated After Effects was the ‘time remapping’ option which enabled Gaelle to play with the live action and give it its comical style,” explains Forzy.

D 49 TEAM LinG - Live, Informative, Non-cost and Genuine! ” The light gives the film its ethereal quality. “Antoine Moulineau was behind much of the lighting and texturing which is so important to create the magical atmosphere of the film,” says Forzy. ” The opening and closing sequences of the London cityscape are incredibly detailed. But Denis keeps her cards close to her chest: “Without giving all our secrets away, the closing panorama is a perfect example of a scene using the three elements CG (3D buildings, cars and buses), 2D (matte painting) and live-action stills.

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