Caroline Munro, First Lady of Fantasy: A Complete Annotated by Robert Michael Bobb Cotter

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By Robert Michael Bobb Cotter

This filmography (including tv and song video appearances) chronicles the profession of Caroline Munro, a girl of humble beginnings whose likelihood access in a "Face of the Year" photograph festival propelled her to foreign repute as a version and actress, and whose paintings in style cinema has gained her the well-earned identify of "First girl of Fantasy." It offers whole technical and forged credit for every movie, a synopsis, studies and notes, and a foreword by way of Caroline Munro.

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Extra resources for Caroline Munro, First Lady of Fantasy: A Complete Annotated Record of Film and Television Appearances

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But, as shown by Michael Carreras’ statements, Hammer did not necessarily recognize or approve of the elements that could have provided the change they were so desperately seeking. Captain Kronos sought to turn the conventions of the vampire film on their head, which it mostly successfully does, especially since it does this within the confines of its own universe. Dracula was a prisoner within the confines of his conventions, and so any changes to that series were not so much to the character, merely his situation or opposition.

Two other members of the “Phibes Stock Company,” Hugh Griffith and Terry-Thomas, return in different roles. Gerald Sim was featured in one of the movies Caroline turned down while at Hammer, Doctor Jekyll and Sister Hyde, and had also been in Hitchcock’s Frenzy. Milton Reid was a fantasy film mainstay, working for Hammer (The Camp on Blood Island, The Terror of the Tongs, Night Creatures), Tigon (The Blood on Satan’s Claw) and Amicus (The People That Time Forgot); he also appeared in Caroline’s two Bond films (Casino Royale and The Spy Who Loved Me), and in the very first, Dr.

Phibes covets for Victoria. Why Biederbeck wants it is made clear by the climax (he will quickly age and die if he doesn’t), but what isn’t made clear is how or why he got that way in the first place. The character of Biederbeck is a strange part; he’s not exactly a hero, and he’s not the main villain, but he’s such a bastard that it seems as if he’s only there to give the audience someone to hate and to make Phibes seem more sympathetic, which he really isn’t. It’s also never stated exactly what Biederbeck is or does.

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