By Stacy Alaimo
How can we comprehend the business enterprise and value of fabric forces and their interface with human our bodies? What does it suggest to be human in those instances, with our bodies which are inextricably interconnected with our actual global? physically Natures considers those questions through grappling with robust and pervasive fabric forces and their more and more destructive results at the human physique. Drawing on feminist concept, environmental stories, and the sciences, Stacy Alaimo specializes in trans-corporeality, or stream throughout our bodies and nature, which has profoundly altered our feel of self. by means of a huge variety of inventive and philosophical writings, Alaimo illuminates how technological know-how, politics, and tradition collide, whereas contemplating the closeness of the human physique to the surroundings.
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Extra info for Bodily Natures: Science, Environment, and the Material Self
Witness, for example, the blasé use of dangerous pesticides and herbicides at home (the attitude may be offhand, but the poison isn’t). 9 Attention to the material transit across bodies and environments may render it more difficult to seek refuge within fantasies of transcendence or imperviousness. If the predominant understanding of environmental ethics has been that of a circle that has expanded in such a way as to grant “moral consideration to animals, to plants, to [nonhuman] species, even to ecosystems and the Earth” (Light and Rolston 7), trans-corporeality denies the human subject the sovereign, central position.
Jhan Hochman, for instance, would probably condemn trans-corporeality as another sort of “creeping metonymy,” in which “culture invades nature by calling itself natural or part of nature” (171). Hochman asserts that “what nature needs is not a bond with culture but a separation or divorce, some autonomy, at last some protection through ‘shelters’ (preserves), offering sanctuary from culture’s constant battering and stalking” (188). The personification of nature as a battered wife is creepy, but worse, it doesn’t begin to convey the complicated dynamics between cultures and environments.
The woman embraces her rural environment as a place of beauty, abundance, and sensuality. She claims that “you might get filled up in the day,” filled with the sight of red hens running, the fog rising, the “wild turkeys walking strong and gentle up the saffron slope” (36). She sees “the great mounds” of a village woman “offering her white globe of breast to the eager child” (32), she feels the “thighs of the hills alive and the milk from the breast of the wind,” and she cries out to her daughters, “O you are wild young daughters .