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34 These complaints suggest that the very opposite of planning was taking place in the area of film distribution. Some argued that the theatres themselves should also be under a consistent, centralised control structure. When the autonomous Cinefication Administration was established in 1933, the theatres that had formerly fallen under Sovkino and Soiuzkino control were placed in its hands, while equivalent administrations were established in the republics. Yet, although private ownership had by now been officially liquidated, urban theatres were controlled by a variety of organisations that still competed with each other for the biggest profits.
15 CHAPTER 1 FILM ADMINISTRATION AND INDUSTRY DEVELOPMENT T his chapter will examine the role of government, Party and administrative decision-making and the development of Soviet cinema’s industry and infrastructure. The 1930s saw a gradual shift from a preoccupation with the macromanagement of the broader industry, to organising cinema on centralised principles and imposing ideological control over the production process. This shift was particularly evident in official government and Party decision-making, as well as industry administration.
More significantly, Stalin gave his full support to the plan, challenging government figures opposed to the project by stating to Shumiatsky in 1935: ‘Of course we need a cine-city. Objectors cannot see further than their own noses. ’54 Stalin maintained a close interest in the development of the plan for cine-city and continued to support the idea until the general tide of opinion began to turn against Shumiatsky, during the last months of 1937. 55 In October 1937, the newspaper Kino (Cinema) published an article denouncing one of the project’s key proponents, Vladimir Nilsen.