A Companion to Werner Herzog (Wiley-Blackwell Companions to

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A spouse to Werner Herzog showcases over dozen unique scholarly essays analyzing approximately 5 a long time of filmmaking through some of the most acclaimed and cutting edge figures in international cinema.

• First assortment in 20 years devoted to studying Herzog's expansive occupation positive aspects essays by means of foreign students and Herzog experts
• Addresses a wide spectrum of the director's movies, from his earliest works akin to Signs of Life and Fata Morgana to such contemporary movies as The undesirable Lieutenant and Encounters on the finish of the World
• deals inventive, leading edge ways guided via movie heritage, artwork historical past, and philosophy
• contains a entire filmography that still encompasses a record of the director's performing appearances and opera productions
• Explores the director's engagement with track and the humanities, his self-stylization as a world filmmaker, his Bavarian origins, or even his love-hate dating with the actor Klaus Kinski

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Extra resources for A Companion to Werner Herzog (Wiley-Blackwell Companions to Film Directors)

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By: RKarthikeyan Date: 22 Feb 2012 Time: 12:14:57 PM Stage: Proof Page Number: 29 30 Brad Prager Plula, Ekkehard: “Einzelgänger unter Außenseitern: Der junge Regisseur Werner Herzog,” Der Tagesspiegel—Berlin, February 7, 1971: 58. 2 (2010): 119–136. Prager, Brad: “Mit den Augen des Tieres: Werner Herzogs Primaten,” Lektionen in Herzog. Neues über Deutschlands verlorenen Filmautor Werner Herzog und sein Werk, ed. Chris Wahl (Munich: edition text + kritik, 2011), pp. 210–233. Rentschler, Eric: West German Film: In the Course of Time (Bedford Hills, NY: Redgrave: 1984).

The carnival is a significant locale for Herzog, who uses sideshows and sideshow barkers in Invincible (2001), Woyzeck, and elsewhere. : 1 Title Name: Prager Comp. by: RKarthikeyan Date: 22 Feb 2012 Time: 12:14:57 PM Stage: Proof Page Number: 18 Chapte Comp. Werner Herzog’s Companions 19 to as an “inversion” whereby viewers see themselves in the otherwise marginal characters, while the so-called normal types—the regular guy and the popular gal—are revealed to be cruel oppressors. Browning’s film normalizes its freaks, who are surely more humane than their counterparts.

The Warren Commission Report. Report of President’s Commission on the Assassination of President John F. Kennedy.  Martin’s Press, 1964). Walser, Robert: “Helbling’s Story,” Selected Stories, trans. Christopher Middleton and others (New York: Farrar, Straus, Giroux: 2002), pp. 32–43. Wassermann, Jakob: Caspar Hauser, oder, Die Trägheit des Herzens (Munich: Deutscher Taschenbuch, 1983 [original 1908]). 2 (1986): 71–78. ’ Spiegel-Interview mit den Regisseuren Herzog, Brandner, Bohm, Hauff,” Der Spiegel 25, June 18, 1979: 181, 183.

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